
Tonight I made a pair of tie-dyed pink leggings for Rosie from Ottobre January 2007's Capri Leggings pattern (#17 in the magazine). They're not exactly capri since they look full length to me...but that was the name of the pattern.
Musings on sewing, costuming, micro-macrame, and the oddities of life


Margaret Layton's jacket is in the V&A in London and I had the good fortune to see it not once but twice last year on my two visits to the UK. I had little interest in the Jacobean era before, but was totally mesmerized by the floral embroidery...instant conversion!
Here are a few pieces of my jacket - as you can see it has princess seams which are not in any way period, but since Margaret Layton was about a size 4 or 6 and I am a size 22, it works out good for me! Additionally, I haven't the patience to embroidery much of anything these days, but I found a piece of Jacobean-esque tapestry material at the Goodwill recently and yelled "Dibs!" on the spot.


God, I love that coat! I also love this beautiful black cherry colored silk taffeta I've been eyeing from Silk Baron:
slobber slobber drool.
I had a few problems finding just the right lining for the Issey Miyake Futon coat I've been slogging over for the past few weeks and finally decided to order some habotai silk and silk paints from Dharma Trading so I could get exactly the colors I wanted and do a little salt technique on it...should be working on that this weekend. The biggest bugaboo is fabricating a silk steamer so I can set the silk paints into the silk, but there's good directions for a down and dirty silk steamer on Dharma Trading's website.


By the way I was in a fender bender on Friday afternoon when I was coming home from having stitches taken out from dental surgery and I rear-ended a dark green humongous SUV, causing damage to that car's bumper and a couple of fender dents to my precious Jeep...When I got home I did feel like crawling into bed with the covers up to my nose and hiding from the world...I didn't realize I had any injuries until a couple of hours later when I was scrabbling around on the floor cutting out pieces of dupioni for the Issey Miyake Futon jacket and I felt a big lump under my right knee...I must have bruised the bone when I hit the brakes. Also have a huge purple bruise on my other thigh where I must have hit the steering wheel. Other than that, I am okay and my Jeep is okay. To quote the lady whose car I rear-ended "Thank God for big all-metal American cars!"
I never thought I'd see the day when I would be making felt fruit. Yep. those hideous centerpieces from your childhood dreams have manifested in reality right here in Snohomish county. Regard how nonchalant Jinx is by this news. She's not happy but she's not particularly frightened. Perhaps a trifle annoyed at having to share space with neon-colored felt fruity things.
These 27 pieces of non-tasty fruit are props for a children's production of "The Jungle Book." Apparently they are lobbed by hoards of small child actors at an evil tiger as it leaves the stage. Hence they are soft sculptures filled with the loftiest polyester stuffing so no one gets seriously hurt. Except perhaps the audience which might suffer hysterical blindness after witnessing such an event. After all they are unnaturally neon-colored. The stuff of nightmares.

In case you want to create your own trauma inducing giant bananas, Linda has graciously allowed me to post the banana pattern she drew hastily in a moment of abandon.

A few years ago I was heavily into micro-macrame and created a necklace that had some Josephine knots as part of the design. It received some modest acclaim, but I wanted to further explore using Celtic knots in my work. The other day, I happened upon a neat book called Celtic Knots for Beaded Jewelry by Suzen Millodot. Wonderful!

I am thinking of using hat 1 or 4 from this pattern for one of the other ladies.
Also, I just couldn't help myself with this pattern for a dressing sack from the 1910's... for myself of course, not this show!
I am starting to collect vintage patterns and ideas for the costumes of a theatre production of "Brecht on Brecht" which I will be directing sometime later this year. Here are a few of the patterns in my collecton that inspire me.
Some of the actual costumes will probably be found in second hand stores; some of them I'll either have to sew myself or hire an extremely talented friend of mine to sew for me, since I probably won't have the time to do that myself.
There are three women characters in the play; one is a musician, one is the wife of a rich doctor and the other is a young journalist. Most of the fabric we'll use is already in my stash; I do have to go out and find a nice piece of faux fur for a coat collar for the rich doctor's wife.

My friend, a propmaster for a children's show at the Village Theatre needed a special prop built - a blue colored stuffed horse that serves as a mascot for a highschool in a musical version of "Midsummer Night's Dream". I thought I would have to blow this pattern up to at least 150 percent of its original size, but they were happy with it being just 22 inches high; here he is partially finished. Still have more of his mane to put in and he needs eyeballs and lids. I used Vogue pattern 7603 which was created as a companion pattern for those 18 inch high snobby looking dolls. I think this pattern would work really well for creating unicorns or pegasi...might make a purple velvet unicorn for a friend's 6 year old daughter...
I have four or five other projects I'm working on, but I'm planning on working on this Issey Miyake Futon coat next.
I've already ordered a brown and indigo dupioni silk for the body of the coat and a cornflower blue with chocolate flashes dupioni for the outer bands.
I'm going to see what I have in the stash that will match for the lining. Since I'm rather large as it is, I don't want to use a high lift batting for this coat so I found some cotton and silk very low loft batting at JoAnn's yesterday that should do nicely.
About 5 years ago I worked on a no-budget musical called Cannibal! the Musical. It was based on a cult movie by Trey Parker and featured the only man in America ever convicted of Cannibalism- Alferd Packer. Our version of Cannibal was presented as part of the Seattle Fringe Festival in 2002; later another theatre group picked up on the idea and did their own version. We had virtually no budget for costumes; I chose to put most of the guys in Henley shirts and jeans and ratty old boots, since Henley shirts were 2 for $5.00 one week at a local second hand store.
I also had to make up some costumes for a band of Trappers; I glued and sewed all sorts of trinkets and fur all over some jeans vests and found a skunk skin cap for one trapper and a Unionist soldier's cap from the Civil War for another.
Here's the cast photo; we were too cheap to have proper pictures taken, so we all piled into one of those Photo Booths at Seattle Center and took turns...
Today I found an old photo I took in 1990 of a play I was co-directing called "Brecht on Brecht" by George Tabori. We only had 4 actors for this show and we had set it in a sort of "holding station" for fugitives fleeing from Nazi Germany. I am thinking of reviving this show and just ordered a copy of the script from Samuel French.

I just picked up Susanna Clarke's newest book to read: The Ladies of Grace Adieu and Other Stories - I love, love, love the way she writes!

This is how I feel after two nights of not being able to get to sleep! I've been very worried about a dear friend who was admitted to the hosiptal the other day after having two seizures out of the blue AND my poor kitty Caspian who has massive tumors on one leg and may have to have his leg amputated...
I do hope it is darkest before the dawn, becuase right now, my world is incredibly dark.


About a year or so ago I took a class with Dave Wood, an Australian calligrapher. His class dealt with combining paper sculpture with calligraphy; here is the capital "A" that I made during the class.